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We are discovered

Author: joe

Wednesday, 01 December, 2010 - 22:06

- on being a puppet

Therein resides the paradox of the notion of the "performative," or speech act: in the very gesture of accomplishing an act by way of uttering words, I am deprived of authorship, the "big Other" (the symbolic institution) speaks through me. It is no wonder then, that there is something puppet-like about the persons whose professional function is essentially performative (judges, kings...): they are reduced to a living embodiment of the symbolic institution, i.e. their sole duty is to "dot the i's" mechanically, to confer on some content elaborated by others, the institutional cachet. The later Lacan is fully justified in reserving the term "act" for something much more suicidal and real than a speech act.
This mystery of the symbolic order is exemplified by the enigmatic status of what we call "politeness": when, upon meeting an acquaintance, I say "Glad to see you! How are you today?", it is clear to both of us that, in a way, I "do not mean it seriously" (if my partner suspects that I am really interested, he may even be unpleasantly surprised, as though I were aiming at something too intimate and of no concern to me - or, to paraphrase the old Freudian joke, "Why are you saying you're glad to see me, when you're really glad to see me!?"). However, it would nonetheless be wrong to designate my act as simply "hypocritical," since, in another way, I do mean it: the polite exchange does establish a kind of pact between the two of us; in the same sense as I do "sincerely" laugh through the canned laughter (the proof of it being the fact that I effectively do "feel relieved" afterwards).
The Interpassive Subject by Slavoj Zizek

I love Zizek's reversals. I like to call them Zizekian switcheroonies. "Is not your love for Zizek the very condition for your hatred of Zizek?" In this particular switcheroony, the speech act is turned on its head. It is not the speaker who makes the world such by the act of speaking, but the Other which expresses and enacts its will through the speaker - the subject supposed to believe.

Today I was discussing Wikileaks with students, and I was reminded of the interpassive subject, ("Is, however, the other side of this interactivity not interpassivity?"), who in their very participation in the digital realm become the means of the digital realm to "enjoy the show". Wikileaks now knows everything. Wikileaks has every document there is. Wikileaks is the panopticon, the subject supposed to know.

When rumours emerge that Wikileaks will publish the internal documents of a large bank, I half expect every bank immediately to surrender and publish everything, just as one of Arthur Conan Doyle's friends is supposed to have left the country and fled for good upon receiving a hoax message from the author, stating just "We are discovered. Flee now!"

My machine enjoys the show as I perform my part for it, my VCR enjoys watching my TV; we are puppets amongst the arguing objects that populate our environment, and Wikileaks will publish every thought I have ever had, so that you (and I) can realise what I feel.

Categories: Slavoj Zizek, interpassivity, subject, Wikileaks, speech, act, performance,
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